Texas Hill | Casey James, Craig Wayne Boyd & Adam Wakefield Cactus Theater 1812 Buddy Holly Avenue Saturday, May 29th
Texas Hill | Casey James, Craig Wayne Boyd & Adam Wakefield
1812 Buddy Holly Avenue
Saturday, May 29th
7:30 – 9:30pm
Floor & Balcony: $19 in advance, $24 day of show
Balcony Box Tickets: $38
Please note: All sales are final. The Cactus Theater does not permit exchanges, refunds or credit for future shows in exchange for unused tickets.
Box office hours:
Monday-Friday: 3:00 – 5:30pm
Saturday: Open 1 hour before scheduled shows
Sunday: Open 1 hour before scheduled shows
Texas Hill is a gritty amalgam of overlapping tastes and distinct voices that meet in the middle as a bold harmonic trio. Craig Wayne Boyd offers a voice full of gospel-tinged country smoke, Adam Wakefield blends a rootsy bluegrass-and-Americana rasp, and Casey James wraps it with a blue-eyed soul quality and deft blues guitar chops.
The result is a band that’s both rock solid and highly adaptive. Texas Hill is instantly identifiable, thanks to its well-developed signature sound: a proud, in-your-face harmonic wall. But each of the three singers can, and does, take over the lead, inevitably pushing the group in his own unique direction while those harmonies allow the whole ensemble to hang on to its sonic center.
“When you hear Fleetwood Mac together, you know it’s Fleetwood Mac,” Wakefield says. “When you hear the Eagles singing, you know it’s the Eagles. We have our own sound as a collective, and nothing shows that more than when we flip parts around and still sound the same. These three timbres together, regardless of what register they’re in, they create their own sound.”
“Everybody has strengths in different places, and that’s what makes this so rewarding,” James adds. “It’s three lead singers, and we each can take the reins at different times. But we’re also able to kick back and let somebody else take charge.”
The Voice and American Idol worked in creating a fan base for all three. Boyd and Wakefield, who were already living in Nashville and touring when they made their TV debuts on The Voice, each reached the Top 15 on the Billboard Hot Country Songs chart based on public reaction to their televised performances. James moved to Music City after his American Idol experience in the Simon Cowell era, and likewise made Top 15 on the magazine’s Country Airplay chart.
“When you go through something like that, the only people that can really relate to it are the ones who’ve also gone through it,” Boyd notes. “The navigation is going to be just as hard as it ever was, but it’s so much more rewarding when you’re doing it as a group.”
That connection helped forge Texas Hill. James and Boyd, who grew up 60 miles apart on the outskirts of Dallas-Fort Worth, ran into one another at a 2019 event in Nashville and dove into conversation. As a direct result, Boyd invited James’ family over to the house for dinner, where they discovered their wives had attended middle school together in California. During the evening, James pulled a guitar off the wall and started jamming, and the music and harmonies flowed so freely that they decided to make it a regular occurrence. Roughly a month later, Boyd brought Wakefield into the musical conversation, and when the three of them met up, Boyd introduced a song he’d just written. They fell into the chorus harmonies as if they’d been singing together for years – and it became the beginning of a new musical path. They still work their individual shows, but the trio format brought a comradery and a level of support that none of them had experienced on their own. The trio cut about a dozen songs using members of Anderson East’s road band, careening through a variety of textures and allowing the material to dictate who sings lead. Wakefield drives the Louisiana bayou stomper “Sugar Cane,” Boyd stakes out a vulnerable space in the richly melodic “Neon Heart,” and James approximates Delbert McClinton in the light scratch of “Love Me When I’m Leaving.”
All three members of Texas Hill get their moments, but their collective harmonies are the glue, whether that’s in the lockstep rollercoaster melody of “Easy On The Eyes” or in the stately and reassuring blend on “Darkest Sky,” a hopeful effort with an always-timely focus on resilience. The message in that last song – “There’s somethin’ ‘bout those hard times that bring us all together” – is an embrace of cultural unity, but it applies to the music and the name of Texas Hill, too. Central Texas is a melting pot of vastly different musical styles. Bob Wills’ western swing, a mix of jazz and country, has roots in the Texas Hill Country, and his music was a huge influence on Willie Nelson, whose blend of country, blues, gospel, jazz and pop is typical of the state’s attitude.
Wakefield does not share his bandmates’ geographical roots, but he grew up on Texas Hill Road in a rural part of New Hampshire, and a group he intended on forming with his now-late brother used Texas Hill as its moniker. That same name is an apt title for a group that brings bedrock harmony to a juncture of multiple styles. Music fans have the ability to mix, match, blend and reshuffle genres, and it’s not uncommon to find listeners whose favorites include modern country, classic soul, arena rock and traditional pop all in the same mix. The three members of Texas Hill are spokes on a wheel, and the music finds its balance one song at a time through a natural friendship.